![]() ![]() Fludd’s ingenious use of the recorder as a symbol of the cosmos. “Robert Fludd’s Symbolic Recorder.” American Recorder 14/1 (1973): 17. A critical presentation of what Fludd knew and depicted in his treatise on the macrocosm of 1618. “Robert Fludd on the Lute and Pandora.” Lute Society Journal 15 (1973): 11-19. A short history of the instrument and its uses, accompanied by comparative fingering charts. A bold survey of the course of Western music, from a semi-Traditionalist point of view. “Spiritual Currents in Music.” Studies in Comparative Religion 5 (1971): 110-25. ![]() A first attempt to express a “spiritual” attitude to music, written after a year’s immersion in the Traditionalist (also called the Perennialist) school. ![]() “Boethius’ Three Musicians.” Studies in Comparative Religion 4 (1970): 246-50. ![]()
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